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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Portrait of Ambrose Patterson
Portrait of Ambrose Patterson
Portrait of Ambrose Patterson

Portrait of Ambrose Patterson, 1901-1902

Hugh Ramsay
Portrait, oil on canvas

Gift of the Estate of John Oswald Wicking 2003

Ambrose Hallen
Ambrose Hallen
Ambrose Hallen

Ambrose Hallen, 1941

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased with funds provided by Timothy Fairfax AC 2003

Ambrose Hallen
Ambrose Hallen
Ambrose Hallen

Ambrose Hallen, 1937

Lina Bryans
Portrait, oil on composition board

Collection: National Portrait Gallery
Gift of Sir James and Lady Cruthers 2001

Sir Les Patterson
Sir Les Patterson
Sir Les Patterson

Sir Les Patterson, 1999

Polly Borland
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Purchased 2001

Portrait of Ambrose Patterson

Velasquez Touch

Magazine article by Andrew Sayers AM, 2004

Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.

The Victor

The Victor

Other styles

The style adopted by an American Civil War general, Ambrose Burnside, from whose name the term ‘sideburn’ originated.

Self portrait (Full Length in front of Easel)
Self portrait (Full Length in front of Easel)
Self portrait (Full Length in front of Easel)

Self portrait (Full Length in front of Easel), 1901-1902

Hugh Ramsay
Portrait, oil on canvas

Gift of the Estate of John Oswald Wicking 2003

Saltwater Cowboys, 2013 by Tamara Voninski

Saltwater Cowboys, 2013

by Tamara Voninski
Image
Self-portrait in white jacket , 1901-02 Hugh Ramsay

Wunderkind lost

Magazine article by Inga Walton, 2021

Inga Walton on the brief but brilliant life of Hugh Ramsay.

Slim Dusty and Dame Edna Everage, Carlton Hill Station, WA, 10 July 1993

Rarely Everage

The Lives of Barry Humphries
Previous exhibition, 2002

The exhibition begins with Barry's childhood in Camberwell, Melbourne and chronicles his days as a struggling actor in Australia and England, his creation of characters including Barry McKenzie, Dame Edna Everage, Sandy Stone and Sir Les Patterson

Elle Macpherson

Polly Borland

Australians
Previous exhibition, 2001

Polly Borland: Australians, is an exhibition of 54 new portraits of significant Australians who have made a contribution to British life and who have largely made their home or based their professional life in the UK

Geoff Cousins
Geoff Cousins
Geoff Cousins

Geoff Cousins, 2017

David Naseby
Portrait, oil on canvas

Gift of Geoff Cousins AM 2007

image not online

Artist interviews

Headspace 4
General content
The chase
The chase
The chase

The chase, 1952

Charles Blackman OBE
Portrait, tempera on masonite

Collection: National Portrait Gallery
Gift of Rob and Paula McLean 2011
Donated through the Australian Government's Cultural Gifts Program

Self portrait with glove

To Look Within

Self Portraits in Australia
Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Mr Mortimer Lewis

Little treasures

Magazine article by Dr Sarah Engledow, 2002

The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.

Olga Radalyski prison records, on loan from the Public Record Office of Victoria.

The sensational denouement of the case

The Yarra Boot Trunk Tragedy, 12 January 1899
About Face article

The 'Yarra Boot Trunk Tragedy' unfolded a week before Christmas 1898, when some neighbourhood boys noticed a wooden box floating in the river at Richmond. 

Thomas Woolner

The 1850s to the 1880s

Mo and beard timeline

The restrained and cultivated facial hair fashions evident through the first decades of the 1800s were on the wane by the middle of the century, when hirsute faces became mainstream.

Portrait sketch of Nellie Melba

Doodles of the Diva

Magazine article by Dr Sarah Engledow, 2010

Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.

Jim Cobb at Chroma factory Mt Kuring-gai, NSW, 2017 by Mark Mohell

The alchemist’s profile

Magazine article by John Zubrzycki, 2017

John Zubrzycki meets Australian paint pioneer Jim Cobb.

The Jester (self portrait)

Bloodlines

Magazine article by Michelle Fracaro, 2004

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

The family

Big bouquet of Blackmans

Magazine article by Dr Sarah Engledow, 2013

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

Girl with Cigarette, c. 1925 by Agnes Goodsir

Agnes enigma

Magazine article by Karen Quinlan AM, 2019

Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.

Barry Humphries

No Laughing Matter

Magazine article by Simon Elliott, 2002

The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.

The Art Lovers - Megan, 2013 by Gary Grealy

Everybody, look serious

NPPP 2014 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.

The Long Awaited, 2008 by Patricia Piccinini

In the flesh

Magazine article by Penelope Grist, 2015

An exhibition of humanness in ten themes by Penelope Grist.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency